![]() “We met Aric Chen two or three years ago when we were talking about the archive and he introduced us to Marisa Yiu, co-founder and executive director of Design Trust,” says Crompton. See also: From Debris Comes Design: How Fordlandia Inspired Studio Swine's New Furniture Collectionĭiscussions with M+ about their archive led Crompton and Cook to another role-that of creative directors of this year’s Design Trust fundraising gala, which will take place on October 26. In addition, the Archigram architects themselves see Hong Kong-a city of networks, hyper-intense layering, escalators, media facades and connective megastructures-as an absolutely appropriate home for the archive as it so aptly resonates with many of their own interests.” “Hong Kong architects and artists such as Tao Ho, James Wong and Kacey Wong have described Archigram’s profound influence on their practice. “Archigram’s influence is well known, yet the group’s resonance in Asia, from the Metabolists of 1960s Japan through to the architecture and visual art practices in Hong Kong and greater China are less explored,” says Suhanya Raffel, museum director of M+. Earlier this year, Hong Kong’s M+ museum acquired the bulk of Archigram’s archive-20,000 items in total-and moved it from London to Hong Kong. Multiple generations of architects in Asia have been inspired by Archigram, and their influence in the region is set to grow even further. See also: How Former Domestic Helper Xyza Cruz Bacani Became A World Class Photographer “By looking at Archigram’s work, you should learn to think as we think, not to do as we did,” says Crompton. ![]() But this lack of built projects hasn’t harmed their legacy, and many of today’s leading architects-including Rem Koolhaas, Richard Rogers, Renzo Piano and the late Zaha Hadid-have cited Archigram as a major influence. Archigram collectively produced tens of thousands of psychedelic drawings and collages, hundreds of architectural models, 10 magazines, videos, exhibitions and more, but only a few minor buildings, among them a kitchen extension and a swimming pool enclosure for pop star Rod Stewart. It had toilets, and the toilets were the right size. “Archigram looked a bit unusual, but actually could’ve been built,” Cook said at the World Architecure Festival in 2016. He believes Archigram designs could have been made physical. “It was the 1960s these ideas were all around us,” says Crompton. This freedom to move unencumbered around the world was just one of the utopian ideas that Archigram explored another fascination was how technology could be used to improve human health and happiness. As an architect, how do you design an environment for somebody who wants it in a particular location at one point in their life but at some future point in their life they may want to take that environment with them to some other location?” “To take one example: the idea that you should be able to take your environment with you. “Our work was experimental but we were trying to deepen our knowledge of certain ideas,” says Dennis Crompton. ![]() ![]() These may sound like futuristic fantasies, but the Archigram members are adamant that their unconventional drawings and collages tackled real issues. One morning you could be on the first floor, the next a giant crane could move you to the top of the tower. Another featured Plug-In City, a megastructure into which capsule-like apartments, offices and infrastructure could be introduced and moved around at will. One issue featured a design for a city that could float from place to place, carried by a fleet of hot-air balloons. In its pages, six young architects-Peter Cook, Warren Chalk, Dennis Crompton, Michael Webb, David Greene and Ron Herron, who collectively went by the same name as the magazine-shared their plans for a better, brighter future. This outlandish design appeared in an issue of Archigram, a magazine published in London irregularly between 19. Resembling a lumbering, land-bound airship, the squat building sat atop eight periscopic legs that could march it across land and sea, allowing its residents to escape wars and natural disasters, or simply to find pastures new. In 1964 a group of young British architects revealed plans for a remarkable building that could walk. ![]()
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